Thomas Sheraton – Cabinet Maker

Thomas Sheraton – Cabinet Maker

There is some question as to whether Sheraton (1751 – 1806) was born in Stockton-on-Tees, England. According to new evidence, brought to light by local family historians, the birthplace of Thomas Sheraton has been identified as Middleton St George in County Durham and not at Stockton-on-Tees as previously thought.

Stockton historian, Tom Sowler wrote in 1977 that Thomas Sheraton himself declared that he was born in Stockton, but could find no documentary evidence to prove this.

Sheraton’s formative years were, however, spent in Stockton. He was apprenticed to a n in 1790, aged 39. There he set up as professional consultant and teacher, teaching perspective, architecture, and cabinet design for craftsmen. It is not known how he gained either the knowledge or the reputation which enabled him to do this but he appears to have been moderately successful.

Commencing in 1791 he published in four volumes ‘The Cabinet Maker’s and Upholsterer’s Drawing Book’. At least six hundred cabinet makers and joiners subscribed to his book and it was immediately widely influential over a large part of the country. During this period he did not have a workshop of his own and it is believed that Sheraton himself never made any of the pieces shown in his books. No pieces of furniture have ever been traced to him directly.

So, a piece of furniture described as being ‘by Sheraton’ refers to the design and not to the maker of the piece. In 1803 he published ‘The Cabinet Dictionary’, a compendium of instructions on the techniques of cabinet and chair making. Then a year before his death, in 1805 he published the first volume of ‘Cabinet Maker’, Upholsterer and General Artist’s Encyclopedia’.

Sheraton’s name is associated with the styles of furniture fashionable in the 1790s and early 19th century. Many of the designs are based on classical architecture, knowledge of which was an essential part of a designer’s technical education. Not all of the drawings are of his own design; he acknowledges that some of them came from works in progress in the workshops of practicing cabinet makers. But he was a superb draughtsman and he set his name on the style of the era.